Berlin, in times of nightlife

Berlin Bounc­er. —

Do you remem­ber how it was when we hung out at par­ties, danced in clubs, chat­ted at events, hugged, hugged, kissed each oth­er? David Dietl’s doc­u­men­tary BERLIN BOUNCER, which was released in 2019, can cur­rent­ly be seen in the arte media library. And although no one sus­pect­ed any­thing about Coro­na, lock­downs and dis­tance rules back then, the film today seems as if it were a wist­ful doc­u­ment, a sen­ti­men­tal reminder of bygone times. But there were closed clubs before, remem­ber the club deaths, we will only see what it looks like after Coro­na.

Berlin’s nightlife is chang­ing: from the divid­ed city to the club scene of the nineties to today’s par­ty metrop­o­lis. Who was there from the start? Based on the three excit­ing biogra­phies of Berlin’s most leg­endary bounc­ers, BERLIN BOUNCER tells of the rea­sons and abysses of this devel­op­ment.

BERLIN BOUNCER accom­pa­nies three leg­endary bounc­ers from Berlin’s club his­to­ry. Frank Kün­ster came to Berlin from West Ger­many. Smi­ley Bald­win was there as an Amer­i­can G.I. active. At that time he was still guard­ing the bor­der to East Berlin. Sven Mar­quardt has a com­plete­ly dif­fer­ent ori­gin: He was a young East Ger­man punk and pho­tog­ra­ph­er who was final­ly sur­prised by the fall of the Berlin Wall. The three soon land­ed in the breath­tak­ing Berlin nightlife of the nineties and even­tu­al­ly became the leg­endary bounc­ers of the hippest clubs in town, whose secrets they keep to this day.

This film also tells of the three grow­ing up and their dif­fer­ent life plans. It traces Berlin’s cul­tur­al his­to­ry from the fall of the Berlin Wall to the pul­sat­ing present. We are accom­pa­nied by the unique sound of a city and its clubs, which turns night into day for the three pro­tag­o­nists and the par­ty-goers.

BERLIN BOUNCER is an impres­sive, emo­tion­al doc­u­ment of the Berlin club scene, which until recent­ly was con­sid­ered the most impor­tant in the world. While we avoid phys­i­cal prox­im­i­ty dur­ing the pan­dem­ic, the film appears even more mem­o­rable, more direct, more painful: We see how free, and how care­free we lived before 2020. BERLIN BOUNCER is worth it – and, above all, it is worth watch­ing it again now if you saw it in the cin­e­ma back then.

Direc­tion and script: David Dietl

Cam­era: Raphael Bein­der, Eric Fer­ran­ti

Music: Basti Schwarz (Tief­schwarz), Max Bauer & David Specht (Iso­la­tion Berlin), Paul Eise­nach

Con­trib­u­tors: Sven Mar­quardt, Frank Kün­ster and Smi­ley Bald­win

Arte Mediathek: https://www.arte.tv/de/videos/082757–000‑A/berlin-bouncer/ – avail­able until June 10, 2021

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