Berlinale: SHORT REVIEWS

Berli­nale com­pe­ti­tion: “Ter­mészetes fény / Nat­ur­al Light” by Dénes Nagy

Nat­ur­al Light by Dénes Nagy. –

1943. Dur­ing the Sec­ond World War, a long win­ter lies ahead in the occu­pied Sovi­et Union. István Semet­ka is part of a Hun­gar­i­an spe­cial unit that search­es vil­lage by vil­lage for par­ti­sans. One day the unit comes under ene­my fire while march­ing in a remote town. The com­man­der is killed and, as the high­est rank­ing offi­cer, Semet­ka has to take the lead. He leads the sur­vivors through a swamp to an occu­pied vil­lage, where they rejoin their depart­ment.

Dénes Nagy’s fea­ture film debut is more than a war film. Immersed in a pale, damp light in which the faces appear as if paint­ed in mud, Nat­ur­al Light tells of men who get from one moral dilem­ma to the next and pen­e­trate deep­er and deep­er into the unknown. What can you do to sur­vive? Up to what point is every­one next to him­self? Are you guilty as a wit­ness of hor­rif­ic events that you did not cause? After all cer­tain­ties about good and bad have evap­o­rat­ed, men must choose between con­for­mi­ty and the will to do what is right.

“Nat­ur­al Light” gains its effect, among oth­er things, from the mas­ter­ful sound track. The silence, the sounds of foot­steps, the birds singing, then hec­tic nois­es, then silence again. This change gives you an impres­sion of how nerve-wrack­ing the scene. „Nat­ur­al Light” is a mas­ter­ful film debut.

Direct­ed by Dénes Nagy
with Fer­enc Szabó, Tamás Gar­bacz, Lás­zló Bajkó, Gyu­la Franczia, Ernő chair
Hun­gary / Latvia / France / Ger­many 2020
103 min­utes

Berli­nale com­pe­ti­tion: “Petite Maman” by Céline Sci­amma

Petite Maman by Céline Sci­amma. –

After the death of Nelly’s beloved grand­moth­er, the eight-year-old girl helps her par­ents clean out the house where her moth­er Mar­i­on spent her child­hood. Nel­ly explores the house and the sur­round­ing for­est where her moth­er used to play and build the tree house that Nel­ly has heard so much about. One day the moth­er leaves sud­den­ly. Then Nel­ly meets a girl of the same age who is build­ing a tree house in the for­est. The girl’s name is: Mar­i­on.

PETITE MAMAN is the sec­ond film with which Celine Sci­amma (Por­trait de la jeune fille en feu) is at the Berli­nale – after TOMBOY in 2011. The sto­ry of the two young friends Nel­ly and Mar­i­on is so won­der­ful­ly touch­ing, real and con­vinc­ing. The two young actress­es, Joséphine Sanz (Nel­ly) and Gabrielle Sanz (Mar­i­on) impress with their hon­est, real act­ing. They play­ful­ly test them­selves in grow­ing up. PETITE MAMAN, Sciamma’s fifth film, is once again deeply con­vinc­ing and we wish it soon to be released in Ger­man cin­e­mas.

Direc­tor: Celine Sci­amma
with Joséphine Sanz, Gabrielle Sanz, Nina Meurisse, Stéphane Varu­penne, Mar­got Abas­cal
France 2021
72 min­utes

Gen­er­a­tion 14plus: La Mif / The Fam by Fed Bail­lif

La Mif by Fred Bail­lif. –

„Who are you?” – „The punk queen in the land of ass­holes.”

Sev­en girls live togeth­er under one roof. They did­n’t choose each oth­er like a fam­i­ly. They come from dif­fi­cult back­grounds, here in the home the girls find a new fam­i­ly, a com­mu­ni­ty that they have nev­er known before. They share joy and sor­row and rebel against the inad­e­qua­cies of their envi­ron­ment – the tem­pera­ments of the young women are dif­fer­ent, their hunger for life is great, their place in soci­ety too pre­car­i­ous. Home man­ag­er Lora is always there for you when you need her. Or is it the oth­er way around? La Mif was cre­at­ed in close col­lab­o­ra­tion with the young actress­es who were involved in the devel­op­ment of their char­ac­ters. Every fate a splin­ter. They assem­ble into a daz­zling kalei­do­scope that turns hier­ar­chies upside down. The film sen­si­tive­ly reveals the short­com­ings of youth pro­tec­tion sys­tems as well as the fragili­ty of social struc­tures and explores the ques­tion of what it might mean to be part of a fam­i­ly.

La Mif impress­es with pow­er­ful scenes and con­vinces with its great, com­mit­ted pro­tag­o­nists. Direc­tor Fred Bail­lif knows what he’s talk­ing about. Apart from the fact that he was a pro­fes­sion­al bas­ket­ball play­er in his life, worked in New York for film and as a DJ and has already had some work in the doc­u­men­tary film sec­tor in Switzer­land – he has also worked pri­mar­i­ly as a street work­er and as a social work­er in a juve­nile deten­tion cen­ter.

Direc­tor: Fred Bail­lif
with Clau­dia Grob, Anaïs Uldry, Kas­sia Da Cos­ta, Joyce Esther Ndayisen­ga, Char­lie Ared­dy
Switzer­land 2021
111 min­utes
rec­om­mend­ed for ages 14 and up

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